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tasting wine - the eyes
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To really learn to appreciate wine, it is
important to learn restraint and poise.
By far, wine is most rewarding when time
is taken to observe this wonderful beverage well ahead of 'slurping
it down'.
The first step is to pour it carefully -
filling only a third and no more than a half of your stemmed wine
glass.
Then the visual observation begins.
Lift your wine glass by the stem (this
might feel a little posh for beginners but it is important not to
obscure your view of the wine or alter its temperature by holding
the bowl directly).
There are three aspects of the wine to
observe visually - hue, intensity, clarity - and each requires a
different way of looking.
The true colour, or hue, of the wine is
best judged by tilting the glass and looking at the wine through
the rim, to see the variation from the deepest part of the liquid
to its edges.
Intensity can best be gauged looking
straight down through the wine from above.
Clarity--whether the wine is brilliant,
or cloudy with particles--is most evident when light is shining
sideways through the glass.
Amid all this concentration, make sure
you also simply enjoy the colour of the wine. There are many
possible variations and the light dazzles beautifully through most.
Next comes the swirling. This too can
feel unnatural, even dangerous if your glass is too full and your
clothing brand-new. But besides stirring up the full range of
colours, it prepares the wine for the next step, the olfactory
examination.
The easiest way to swirl is to rest the
base of the glass on a table, hold the stem between thumb and
forefinger, and gently rotate the wrist. Right-handers will find a
counter-clockwise motion easiest, left-handers the reverse.
Move the glass until the wine is dancing,
climbing nearly to the rim. Then stop. As the liquid settles back
into the bottom of the glass, a transparent film will appear on the
inside of the bowl, falling slowly and irregularly down the sides
in the wine's "tears" or "legs."
"Experts" derive meanings from
them as various and profound as fortune-tellers do from looking at
tea leaves, but in truth they're simply an indication of the amount
of alcohol in the wine: the more alcohol, the more tears. Remember
that when you're considering whether to open another bottle.
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tasting wine - the nose
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When you stop swirling, and the tears are
falling, it's time to take the next step: smelling. Agitating the
wine vaporizes it, and the thin sheet of liquid on the sides of the
glass evaporates rapidly; the result is an intensification of the
aromas. If the glass narrows at the top, the aromas are further
concentrated. Stick your nose right into the bowl and inhale.
There's no consensus about the proper
sniffing technique. Some advocate two or three quick inhalations;
others prefer one deep, sharp sniff. I've seen tasters close one
nostril, sniff, then close the other and sniff again. The goal is
to draw the aromas deep into the nose, to bring them into contact
with the olfactory mucosa and thence to the olfactory bulb, where
the sensations are registered and deciphered. It's a remote and
protected place, and a head cold or allergies will effectively
block it off from even the strongest aromas. But with practice, and
keen attention, you'll learn how to maximize your perception of
aromas, and then how to decipher them.
The world of smell is vast and
bewildering.
First of all, our olfactory equipment is
incredibly sensitive; we can distinguish aromas in quantities so
small that laboratory equipment can scarcely measure them.
Second, our analytic capacity is
extraordinary; estimates of the number of different smells humans
can identify range up to 10,000!
Finally, wine has a staggering number of
smellable elements. In their exhaustive study Wines: Their Sensory
Evaluation, Maynard Amerine and Edward Roessler, both professors at
the University of California, write that "Identified in wine
aromas are at least 181 esters, 52 alcohols, 75 aldehydes and
ketones, 22 acetals, 18 lactones, six secondary acetamides, 29
nitrogen-containing compounds, 18 sulfur-containing compounds, two
ethers, 11 furans and 18 epoxides, as well as 30 miscellaneous
compounds. Many of these are modified in various ways by aging and
cellar treatment, and they can and do react with each other or have
additive, masking or synergistic properties."
Serious wine tasters love to identify
smells. "Chocolate!" cries one. "Burnt
matches!" insists another. "Tea, tobacco, mushrooms and a
bit of the old barnyard," intones a third. Are they just
playing word games?
No. In fact, wine does smell of more than
grapes. Analysis of its volatile components has identified the same
molecules that give many familiar objects their distinctive scents.
Here are just a few: rose, iris, cherry, peach, honey and vanilla.
Who's to say that some of the more imaginative descriptors--from
road tar to cat's pee, sweaty socks to smoked bacon--aren't
grounded in some basic chemical affinity?
As with colour, wine's aromas offer
insights into character, origin and history. Because our actual
sense of taste is limited to four simple categories (the well-known
sweet, sour, bitter and salt), aroma is the most revealing aspect
of our examination.
But don't simply sniff for clues. Revel
in the sensation. Scientists say smells have direct access to the
brain, connecting immediately to memory and emotion. Like a lover's
perfume, or the scent of cookies from childhood, wine's aromas can
evoke a specific place and time with uncanny power..
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tasting wine - the mouth
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Now comes the best part. You can be
mesmerized by wine's flashing colors and hypnotized into dreamy
reverie by its evocative aromas, but actually drinking the wine is
what loosens the tongue, opens the arms and consummates the
liquid's true purpose.
You might think it's the easiest part,
too. After all, you learned to drink from a cup when you were 2
years old and have been practicing diligently ever since. But
there's a huge distinction between swallowing and tasting, the same
gulf that yawns between simply hearing and truly listening. Once
again, correct technique is essential to full appreciation.
With the aromas still reverberating
through your senses, put the glass to your lips and take some
liquid in. How much? That depends on the size of your mouth. But
too little is as ineffective as too much. You need to have enough
volume to work it all around your tasting apparatus, but not so
much that you're forced to swallow right away.
Because you don't want to swallow, not
just yet. It takes time and effort to force the wine to divulge its
secrets. The aim is to keep a pleasant wine in your mouth for 10 to
15 seconds, sometimes more.
Roll the wine all around your mouth,
bringing it into contact with every part, because each decodes a
different aspect of the liquid. Wine provokes sensations, too: The
astringency of tannins is most perceptible on the inner cheeks; the
heat of the alcohol burns in the back of the throat.
The strength of these taste sensations
can be amplified through specialized techniques that, frankly, are
more appropriate to the tasting lab than the dining room. But if
the wine is seductive enough, you may not be able to resist.
First, as you hold the wine in your
mouth, purse your lips and inhale gently through them. This creates
a bubbling noise children find immensely amusing. It also
accelerates vaporization, intensifying the aromas.
Second, chew the wine vigorously,
sloshing it around in your mouth, to draw every last nuance of
flavour from the wine.
Don't forget the finish. After you
swallow, exhale gently and slowly through both your nose and mouth.
The retronasal passage, which connects the throat and the nose, is
another avenue for aromas, which can linger long after the wine is
finally swallowed.
You'll find that the better the wine, the
more complex, profound and long-lasting these residual aromas can
be.
With great wines, sensitive tasters and
minimal distractions, the finish can last a minute or more.
It's a moment of meditation and communion
that no other beverage can create..
[Adapted from an article by Thomas
Matthews in The Wine Spectator www.winespectator.com.
]
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tasting wine - a glossary of terms
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Acidity
The quality of tartness or sharpness in the taste of wine due to
the presence of natural acids. Not to be confused with sourness,
dryness, or astringency.
Balance
A balanced wine is one whose components -- sugar, fruit, tannin,
acid, alcohol, wood and so forth -- are evident, but do not mask or
dominate one another.
Bouquet
The various fragrances noted by smell, created by the development
of wine from the fermentation and aging process, whether in barrel
or bottle.
Complexity
The various elements that make up bouquet, aroma and taste in a
wine. When a wine is described as having the aroma of fresh peaches
or apples, it is displaying some of its complexities.
Corked
Describes an unpleasant musty odour (mushrooms) or flavour imparted
to wine by a defective (mouldy, poor, soft, or disintegrating) cork
or by chemicals used in the processing of corks.
Cryomaceration
A wine making procedure used in making white wines that holds the
skins and the crushed grapes at extremely low temperature prior to
fermentation, enhancing the fruit and other flavours.
Dry
A wine with little or no noticeable sugar, usually containing less
than 0.2 percent sugar. On champagne and sparkling wines, dry often
refers to faintly sweet -- not as dry as brut.
Finish
The tactile and flavour impressions left in the mouth while a
beverage is being swallowed. Some beverages finish harsh, hot, and
astringent, while others are smooth, soft and elegant.
Full-Bodied
A term relating to the body or mouth-filling capacity of a wine.
Additionally, it applies to wines that are robust, intensely
flavoured, and comparatively high in sugar, or alcohol content.
Generic Wine
"Place-name" - wines that are named after European
wine-producing districts such as Burgundy, Chablis, Champagne,
Port, Rhine, Sauternes, Sherry and so forth.
Maturity
The stage in the aging of wines when they have developed all of
their characteristic qualities to full perfection.
Oaky
The odour and/or flavour of wines aged in small oak barrels. Some
oak barrels impart a toasty or spicy vanillin odour and taste which
is desirable in moderation but undesirable if exaggerated.
Proprietary Wine
Wines carrying a made-up name originated by a specific winery or
proprietor.
Tannin
A bitter compound found in the seeds, stems, and skins of grapes,
and is extracted from wooden barrels. It is quite astringent and
causes a puckering sensation in the front of the mouth.
Varietal Wine
The name of the dominant grape used in a wine -- Chardonnay,
Merlot, Pinot Grigio and Sangiovese. Varietal wines require that at
least 75 percent of that grape variety is used.
Vintage
The year that the grapes were picked or harvested for the making of
wine, with the date shown on the label.
[A growing collection of terms that
will be added to over time from various sources.]
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